February 15 - February 28, 2008

Vol. 43, No. 8

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Blazing a comedic trail

PHOTO COURTESY OF WILD WEST PICTURE SHOW PRODUCTIONS

Vince Vaughn performs at the HUB Auditorium, located at the University of Washington.


by Jordan MCGill
Staff Writer


The auditorium grew dark. Light flickered on the screen. The click and buzz of a winding projector filled my ears. This was “Vince Vaughn’s Wild West Comedy Show: 30 Days and 30 Nights–Hoallywood to the Heartland,” a documentary recording the on and off-stage antics of four very funny comics and one tall, talented movie star.

Directed by Ari Sandel (of recent “West Bank Story” fame), this cinematic venture is a behind- the-scenes look into the life and meaning of comedian purpose--unfiltered access to the hearts and minds of today’s new wave of jesting talent rising from the trenches of headliner purgatory.

The idea of a traveling variety show is as old as the Wild West, and this film captures Vince Vaughn traversing desert highways with his hand-picked quartet to bring improv and comedy to, “cities that don’t ordinarily attract this type of entertainment,” the roots of America’s heartland.

Running at 100 minutes, “Vince Vaughn’s Wild West Comedy Show” is only a snippet of over 600 hours of footage that was shot.

After the screening, I sat down with Bret Ernst (one of the comedians) for a few moments of insight. “I was overwhelmed,” he replied when asked about seeing the film for the first time. “It’s really…weird to see yourself on the big screen…It’s kinda surreal.”

To the major theme behind the film, Ernst said: “Overall, regionally, it’s all the same…And that’s what comedy is: everybody’s the same…In Asia, Japan, Africa, we’re all the same thing. This is the stuff that’s been written about from the beginning of time. In different time periods, different cultures…it confirms it on the screen.”

Vince Vaughn’s Wild West Comedy Show, starring Vince Vaughn, Ahmed Ahmed, John Caparulo, Bret Ernst and Sebastian Maniscalco opened nationwide on February 8. My reaction to the strong language, smoking and sexual humor was similar to that of watching a porcupine bitch-slap a baby in the face with its tail: I was rolling in the aisle laughing.