February 1 - February 14, 2008

Vol. 43, No. 7

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Cloverfield

COURTERSY OF PARAMOUNT PICTURES


by Wes Abney
Business Manager


Something has finally found us, and it isn’t nice.

But it’s definitely the coolest Scifi creation you will see this year.

Seriously. It’s that good.

For those who don’t know, “Cloverfield” is the video documentatary of a unknown attack on the center of New York. The name has nothing to do with the content of the movie—it’s rumored to be named after a freeway exit of the same name. But giving credit to Paramount, every magazine and paper knew it was a monster flick.

The first clue that it isn’t a run-ofthe- mill Godzilla spin off is that every shot is handheld. Five minutes later, with the same shot still going, it becomes obvious that there was only one view—one small perspective of an epic event.

It starts out as a home video of a going away party, with a whole group of people wishing their last goodbyes to a close friend.

As anyone who’s seen a trailer of the film would know, suddenly something happens: an explosion, loud noises and then silence.

As the explosions start off in the distance, the party breaks apart, leaving a small group of people for the audience to follow. Traveling through burning streets and military convoys, the group reaches a bridge only to have it crushed and tattered beneath them, with friends and family below.

And then there were four.

The rest of the film follows their story of survival and an attempt for love in the middle of hell on earth.

The best part of the film is the special effects that have been cut into a handheld format, matching the style and exact feel of the camcorder. The cutting edge attention to detail made it almost impossible to distinguish reality from computer imaging, lending credibility to the theme of the movie. This gives the handheld theme an awesome and engaging technique.

A result of the handheld style is that it demands constant and edgy attention. With no ultimate explanation for anything happening in the movie, the style pulls you as the 5th wheel to the experience. Right then, every sudden noise and movement was grabbed senses, with the screams and terror echoing through the theatre.

It helps that the audience never completely knows what the attacking creature is, except that it’s big and scary as hell. The exploding people and collapsing buildings are pretty cool to. So, after the wait, and all the hype—Yes! Cloverfield is definitely worth ten ducats for a first-person thrill ride.