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by Tae Kim
Staff Writer
When I assimilated into the Western culture
and entered a college in the Seattle area five
months ago, I immediately noticed major differences
in the educational systems of Korea
and America.
Having studied in Korea for the greater part
of my life, I’ve seen that the Asian style of instruction
focuses on teaching skills rather than
freeing students to pursue their creativity like
the American education system.
I learned how to play tennis in Korea for two
weeks with a high school friend and while I
stayed in Boston during the summer of my first
college year. Both experiences were great, but
what struck me the most were the differences in
each culture’s method of teaching and training.
The Western culture placed more value on
enjoying the sport rather than crafting a good
player, like in Korean-style coaching.
In Korea, my instruction was mainly focused
on technique. During the two weeks that I acquainted
myself with the game, I felt like I was
being drilled into becoming a professional tennis
player.
I was literally trained to play with only my
right hand for the first 10 days, and wasn’t allowed
to try other skills. It was boring for me,
but I found out later that it was precious, because
what I learned were the fundamentals of
playing tennis well.
In Boston, I continued to take tennis classes. I
learned a new skill each day and had more freedom
to experiment with my talents. All in all, I
learned the basics of tennis within a week.
After that, I was able to play casual tennis
matches with my friends. I noticed that after
learning the basics of the game in a Western
setting, I came to enjoy the game and saw it as a
casual activity instead of a life-or-death chore.
I also took drawing classes in both at home in
Korea and here in the U.S.
In Korea, instruction started from practicing
straight lines and curves. Several days later, I
was required to draw a cube. I was supposed to
follow those guidelines. The class taught me the
basics of drawing and created a baseline for me
to develop my skills.
In the U.S., I took a non-credit beginner’s
drawing class at Seattle Central Community
College. From the title, one would expect that
this class would be similar to the one I attended
in Korea. However, they were totally different.
The class encouraged me to draw what I
liked. Throughout the quarter, I was taught
to draw with my left hand (and mind you, I’m
right-handed). I was later taught to draw with
contour and blind contour lines.
(Blind contour drawing is a way of drawing
using contour lines, watching only the object,
not seeing the sketchbook.)
Through this, I was able to see things very
carefully and found that I had been missing so
many details that I experience everyday. This
helped me develop my own way of seeing objects
and my own style. My experiences in the class
contributed to my development of becoming a
more creative and flexible artist.
By learning from Asian and Western-style
classes, I developed not only the fundamental
skills to pursue my interests, but also fueled my
passion for creativity in a relaxed setting.
If I learned either only in Korean or in the
U.S., I might not be as good as I am now. I could
be better at playing the tennis because I consistently
practiced fundamental techniques
in Korea, and I could enjoy the game because
I learned all the skills I needed very quickly
in the U.S. and had fun with my friends at the
same time.
I could be a better artist, not only because I
was trained to examine objects carefully and
develop my own of drawing styles, but also because
I practiced basic skills with the utmost
devotion.
What can I say? It never hurts to get the best
of both worlds.
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