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Chicago. “I had the privilege
to study with a professional musician who was
a saxophonist at Chicago’s Playboy Club and I
studied with him for four years,” he said.
Reid graduated from North Texas State
University, and moved to the Seattle area in 1980
to pursue a professional music career.
In the ’80s, Reid played with a rhythm and
blues band named Annie Rose and the Thrillers.
According to Reid, it became one of the most
popular bands in Seattle at the time. He also
played with the country band, Northwest
Express, and lived in the bands tour bus while
performing throughout the United States and
Canada.
Reid has performed in local theaters including
Bathhouse Theater, A Contemporary Theatre,
Fifth Avenue Theatre, The Paramount and Empty
Space Theater. In 1989, Reid was hired to play
in a musical at SCC. That was when he met Susan
Dolacky and Barry Ehrlich, who clued him in to
an open teaching position in the music department.
Reid applied for the position and became
SCC’s improvisation teacher that same year, instructing
one class a week.
Today, Reid teaches History of Jazz and
Introduction to Music Theory. He also coordinates
SCC’s eight small ensembles and directs
the jazz ensemble; all the while practicing his
own alto, tenor and baritone saxophones along
with the occasional flute or clarinet.
Although Reid can’t force himself to pick a favorite
class, he said, “History of Jazz is really fun
because the students leave knowing a lot about
jazz music and hopefully they share some of that
with their friends.”
Reid’s love for performing music carries over to
his love of sharing musical knowledge. He takes
pride in “seeing students progress to a point
where they play with a lot of self confidence.”
Reid still plays music professionally. He performs
at local jazz clubs like Tula’s with some of
the groups he’s in. Reid currently plays the alto,
baritone or tenor saxophone in the Jim Cutler
Jazz Orchestra, the Jazz Police, Magnolia Big
Band, Nick Vigarino’s Mean Town Blues and his
own band, the Doug Reid Group. “Being a professional
musician today requires you to perform
many styles,” he said.
Reid also plays with two Irish groups: English
Paul and the Professor and The Raybone
Experience.
On a regular day at school, Reid can be found
in his office surrounded by several saxophones
(some out and resting on their cases), a piano
and a stand with sheet music. If he’s not in his
office around 11:30 a.m., Reid might be in Room
818 conducting Shoreline’s Jazz Ensemble, with
pencil in hand, interjecting references to “the
key of Spanish affirmation—the key of C” between
songs.
Bruce Spitz, Music Technology teacher and
Reid-efining
SCC’s music
program
Funkngroove coordinator, has known Reid
for over 15 years. “He has a great sense of
humor. It’s one of his best attributes and he
uses it to demand his accuracy,” said Spitz.
“I’ve seen him stop the band, ask the bass
player if he’s completely lost, and he is, so
Doug says something downright funny.”
Spitz also said that Reid is “a real dictionary
of one-liners.” For example, Reid’s
wife no longer attends all of his musical
performances. In her defense, Reid tells
people that “she couldn’t swing if she was
hanging.”
Music theory teacher Jeff Junkinsmith,
who has worked with Reid for 10 years,
said, “Doug is one of the most respected
musicians in town, but he wears that
very lightly. It’s not something he parades
around to people because he doesn’t have
to.”
Spitz agreed. “He’s probably one of the
top two or three saxophonists in the city,”
he said.
Reid is also a judge for high school and
college jazz competitions in Washington
in his spare time. He judged three in
December 2007 and traveled to Central
Washington University to judge their jazz
festival. In February, Reid will take a trip
to North Texas State University to deliver
a speech to students in order to help
them understand the process of moving
to a new city and becoming professional
musicians.
In coming years, Reid plans to continue
teaching at SCC. “I really like the diversity
of students here at Shoreline,” he said. “I
have some background teaching at fouryear
schools and they’re much more insulated.
We’re more down to earth.”
Reid hasn’t needed to overcome any
particular obstacles besides the demanding
practice schedule professional musicians
need to have. “I believe if you have
the passion and the determination to do
something you can achieve any goal,” he
said.
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